adma
Superstar
Anyways, to get the discussion back on track, I still stand by my opinion that the cladding looks fine on the building, it's not above average but it's also not in the bottom decile of cladding jobs.
And I still stand by this opinion I expressed earlier...
Well, as I've said, the design is like a real-life version of a callow, message-boarder's fantasy rendering of a "tired, dated" building "refreshed". And I guess in a case like this, the poster's perspective is akin to that of such a message-boarder--incapable of seeing this as a real-life building, with a real-life history behind it and a real-life urban context. They just see it as a meme...
IOW you seem to speak from a perspective that, when we're speaking of said "real-life urban context" might as well have never heard of John B. Parkin Associates, *or* of E.J. Lennox, *or* of Viljo Revell, *or* of Edmund Burke, *or* of Chapman & Oxley, and perhaps only know Zeidler and WZMH because they're still active firms w/their labels all over the place. Basically, going beyond even the mere matter of cladding quality, you come across as rather bone-headedly ignorant and insensitive when it comes to seeing the bigger historical and contextual picture here--which is what *really* informs the gist of the criticism here; what might "look fine" on a suburban car dealership does ***not*** look fine as a recladding of a significant building in a sensitive inner-urban location.
If that's the case: sure you have a right to express an opinion. But others have a right to express an opinion on your opinion as well--and under the circumstance, in grappling such "contextual matters", you're as out of your depth as a first-year survey-course undergrad would be in an advanced grad-student course. That is, even if it's for the sake of mere "working knowledge", you need more remedial education and seasoning before your opinion can be taken seriously...