I don't feel that transit cost escalation is linked to extravagant design here. Maybe on TYSSE. I am only starting my research on this subject, but I believe the real cost savings are in good project design, depoliticisation, and management, while our classic value engineering crap is late in that process.Until we can build metro systems on par with French construction costs, I really don't see the point in complaining about the aesthetics of bridges
BuT tHe PuBlIc MoNeY!!@DirectionNorth being the worldly fellow that he is made a fine reference to stations along the RER E, but failed to show an example. I will thoughtfully correct his oversight, LOL:
Source/Credit embedded.
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Link: https://parisladefense.com/fr/decouvrir/projets/gare-eole-defense
Well, I feel like they could have used faux or real stone/ concrete designed piers with black steel arches. Similar to the bloor viaduct with longer arches. It would compliment the bloor bridge and look very nice. It's not an issue with modern engineering just a lack of vision and toronto's love for Grey. The it's less visually entrusting is an excuse for crappy design. If it was nice it would be a pleasure to look at, and would be lit up at night.That wouldn't be feasible but technically possible. Look at how much closer the piers are in comparison to the Ontario line renders. You'd have to somehow span across the DVP with those piers being much closer together. That would result in a pier placed between every few lanes (not sure how many exactly) of the DVP which would be a major disruption and reconfiguration of that section of the DVP. Also considerably more expensive.
~4% grade over the valley, no special track work, and only one curve between stations with 200+ metre turn radius. The westbound train may reach its highest speed on this section.I would also be curious to see what kinds of speeds will be attained here. Given the long grade and its curvy nature, I assume not very high.
Until we can build metro systems on par with French construction costs, I really don't see the point in complaining about the aesthetics of bridges
Would the 4% grade not be exactly what prevents the high speed operation to begin with? Granted, I have not studied the entire world to see how things operate, but in my experience, what I have found is that rail vehicles descending down steep slopes are subjected to speed restrictions to avoid runaways.~4% grade over the valley, no special track work, and only one curve between stations with 200+ metre turn radius. The westbound train may reach its highest speed on this section.
Drawings of the rail profile can be found here.
Provided that the equipment has enough power to sustain higher grades, a 4% incline will not be an impediment - especially since the trains accelerating away from Cosburn will first have a section of almost-level track on which to accelerate.Would the 4% grade not be exactly what prevents the high speed operation to begin with? Granted, I have not studied the entire world to see how things operate, but in my experience, what I have found is that rail vehicles descending down steep slopes are subjected to speed restrictions to avoid runaways.
I think the design mentality at Metrolinx speaks for itself in statements like this (from the Star article):
The balanced cantilever method “accommodates a curved alignment ... We don’t have a lot of those type of structures (in Canada), so people don’t usually see that curved bridge and other fancy bridges that you see in Europe,” Wu said.
Because, you know, God forbid we should see something 'fancy' in Ontario...
Yes, that's my recollection as well. Thank you too for your photos of the models along the line from Doors Open today. Really neat!Your point stands about value engineering. However the criteria for this Don Valley bridge valued an unobtrusive design with low visual impact more than a cheap design. Consider that the lower Don Valley bridge for this same project has a much more stand out design, because the setting is more appropriate.