Why does the TTC go out of its way to alienate its boosters?
From Eye
Crapping on the fans
Why does the TTC go out of its way to alienate its boosters?
When blogger Robot Johnny (also known as John Martz of
www.robotjohnny.com) spent an afternoon creating anagrams for each of the Toronto Transit Commission's 69 subway stations, he did so out of love for wordplay and public transit. He had no idea the project would culminate in him receiving his first legal order to cease and desist.
Inspired by a remixed map of the London Underground he saw posted on BoingBoing.net, the Toronto blogger inserted his rearranged names (Summerhill became Mush Miller; Davisville became Valid Elvis) into a look-alike TTC subway map, complete with the familiar TTC logo, font and colour-coded subway lines (pictured above). The anagram map was an instant hit in the blogging community, which began linking to it within days.
Instead of welcoming the free publicity, however, the TTC demanded Martz remove the map from his site, threatening legal action if he continued to use TTC intellectual property. Martz redrew the map without any of the familiar iconography and posted it again -- less fun, but still worth a look.
The whole ordeal is just one example of how the TTC continues to shoot itself in the foot by failing to embrace the ones who love it most. Last July, when TTC management got wind that Sean Lerner was going to stage some guerrilla theatre on TTC property to promote his independently created TTC Subway Rider Efficiency Guide --a palm-sized brochure filled with helpful tips on traversing Toronto's subway stations -- they demanded he cancel the event.
In 2004, when Spacing magazine publisher Matt Blackett (a.k.a. Eye Weekly's m@b) contacted the transit commission with an idea for a promotional project, they never returned his call. Since then, the magazine has sold over 40,000 Toronto subway-station buttons, and though Blackett still mentions working with the TTC every time he's interviewed by the press, he has yet to hear a peep from the commission.
Support from the TTC aside, Lerner and Blackett received loads of media attention for their work. Both have gone on to produce other transit-related projects and events -- Spacing's exhibition showcasing art inspired by the TTC, In Transit, recently wrapped up at the Toronto Free Gallery; Lerner contributed a film to the exhibition on Toronto's longest escalator, located at York Mills station.
What the TTC -- a reliable but unimaginative gang of engineers -- seems to have missed (or ignored) is the rising cult of Toronto transit. There's a whole generation of people who are not just riders but actual fans. This type of viral, fan-based marketing -- complete with one-inch buttons worn on shoulder bags and lapels, and websites offering little-known facts -- is usually reserved for rock stars. Instead of angering this community by serving up cease-and-desist notices or ignoring their calls, the cash-strapped TTC should work on forging relationships with the people who provide them with free publicity. They should be encouraging this kind of work, not discouraging it.
The TTC may be good at engineering -- it runs what may be the most efficient transit system in the world -- but it's terrible at marketing (witness the dumbass "our driver is a hero because he did his job" campaign). Luckily, there's a growing transit booster movement in Toronto that has been happy to pick up the slack. When the rest of the public complains about fare hikes, the boosters come to the TTC's defence. When people gripe about crowded trains, messy stations and infrequent service, the boosters remind them of the TTC's more endearing qualities. These people are mythologizing our transit system. That's something this city needs.
Here's an order for the TTC: cease and desist from alienating your fans. They're doing all your promotional work for you.