AlvinofDiaspar
Moderator
So, we went from extolling the virtue of Post-Modern thought to labelling something as "ugly" and those who argue otherwise as "cognitively biased". Congrats, the world never ceases to amaze.
AoD
AoD
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I suppose the "what have we missed" is in McClelland's suggested amelioration of the base--which Ayan, presumably, is embracing as vindication of his argument that it's an imperfect and hence "ugly" building...
Well if you imply that the building is beautiful when taken/looked in the context of built urbanity, I can certainty argue that it is ugly because of the information contained in the paragraph preceding McClelland's suggestions to improve the building. You can't have it both ways!
Well if you imply that the building is beautiful when taken/looked in the context of built urbanity, I can certainty argue that it is ugly because of the information contained in the paragraph preceding McClelland's suggestions to improve the building. You can't have it both ways!
Maybe because when it comes to the full discussion, comprehension, and appreciation of built urbanity, the "beautiful building" argument is an insipid Sunday-painter amateur standpoint to take.
That's like saying the Venus de Milo is 'ugly' because it is missing some arms. That the Sheraton Centre may have lost some of its intended cohesion with NPS does not imply that the building is any way fundamentally irremediable, and quite the opposite as McClelland suggests.
And if we may get a bit Bentsen vs Quayle about it: (in all likelihood) unlike you, I know Michael McClelland.
And to use one of my familiar tropes: it's like a 15 year old boy using Victoria's Secret models as a benchmark for "beautiful" femininity, and anything else is fatally "defective". (And, being 15, he'd be as untutored and naive as the Sunday Painter Urbanist is re qualities of urbanity.)
What “Victoria's Secret models” equivalent architectural benchmark have I used?
I think this is a case study of Post-Modern critique - everything is subjective and personal, and none can be elevated above others. Sorry, I don't prescribe to that line of thought.
That is not a fair comparison because the surroundings/context matter a lot more when considering architectural beauty. You can move Venus de Milo from Louvre to anothe rmuseum and it will still look like Venus de Milo. Now visualize Sheraton Centre where Manulife Centre is - do you see a difference?
Well if you imply that the building is beautiful when taken/looked in the context of built urbanity, I can certainty argue that it is ugly because of the information contained in the paragraph preceding McClelland's suggestions to improve the building. You can't have it both ways!
As per my point about Sunday Painter Urbanists, the word "Beautiful".
The Sheraton does remain in its context though, and as you say context is irrelevant with the Venus de Milo, so i'm not sure i see how your point relates? Judging the Sheraton as 'ugly' (or the Venus as ugly for example) for being in a condition that is less than what was originally intended is what i'm taking issue with, which seems to be what you were implying:
I don't see how "beautiful" can be the benchmark in your analogy but I will take it as a compliment.
Everyone has the right to walk from one end of the city to the other in secure and beautiful spaces - Richard Rogers
So, to come full circle, you're the 15 year old boy boasting that your thing for Victoria's Secret models proves that you're a true connoisseur of beautiful things--never mind that you (quasi-understandably, at that age) have little or no real experience with women, and would in fact creep them out with your kind of connoisseurship. Sort of like Elliott Rodger sans violence...