In defence of 60 Niagara, below is Hume's full assessment, published last week. I would tend to agree with this as being a building that represents a thoughtful addition to the city, but not reward-inducing architecture. Those who find it cringe worthy must do an awful lot of cringeing in this city, and indeed in all cities, at just about everything. I always find myself amused at the delicateness of the sensitivities so expressed. One pictures someone fanning themselves as they pass by, "well mah goodness sakes land o' livin', look at that horrid, simply horrid 60 Niagara, whah, the-uy should not be allowed to put such a powsitive mownstrositee raight wheh ladies might wawk bah".
Hume, the Star.
(B+)
This is a complex so large it could easily have overwhelmed the street. Though at 10 storeys, it's not overly tall, the sheer bulk could have been enough to suck the life from the surroundings. But by breaking the main building, which faces east onto Bathurst, north of Niagara, into three segments, the designers have succeeded in reducing the scale of the development into something appropriate. The second element, which extends west from Bathurst along the north side of Niagara, has been restricted to 4 1/2 storeys. In this way, it mediates between the taller structure on one side and smaller ones on the other.
The big building is already a local landmark. The addition of red to its glass-and-grey-steel exterior means it is hard to ignore. Built out to the sidewalk, the slab sits atop a single-storey podium, just enough to situate within the streetscape. The two entrances from Bathurst to the laneway that runs along the back also help make it feel less monolithic, more permeable and integrated. The same lane separates the Niagara component from the Bathurst slab, further enhancing pedestrian and vehicular access.
The Niagara building, with its windows and bays, has an almost retro aesthetic. Architecturally, it's not wildly exciting, but on the other hand, it's well situated and does its job.