For those of you wanting a little perspective on Calgary's architecture and where this building fits in, see below. A good article, in my opinion, that places this development in context without being overly critical of Cal-town. Perhaps the comparison with Berlin is a bit unfair since the main reason Berlin is what it is today is the need of the Germans to develop their capital and in so doing exorcise part of their past (and also, of course Dan, simply because it's Germany!).
EnCana tower's value isn't in its height
DEBORAH YEDLIN
CALGARY — Plans for the new EnCana building -- the largest office tower west of Toronto -- were unveiled with great fanfare in Calgary last week.
Mayor Dave Bronconnier, whose professional roots lie in real estate development, predictably heralded the news as yet another sign of the country's economic clout heading westward.
But touting an office tower as a symbol of the rise of anything is old news. Mr. Bronconnier and others seem to have missed the fact that iconic skyscrapers no longer carry the same status in the Western world that they did before 9/11. Take a look around the globe and it's tough to find a monolithic office tower going up in the industrialized world; it's in the developing world where the endless columns of glass and steel still carry the statement of economic arrival.
While big office buildings send a powerful message of critical mass and economic strength, for cities to be truly great, having a cluster of office towers that signal economic might is only one piece of a much, much bigger puzzle. If Calgary is indeed taking on a bigger role as an economic centre in the country, it's going to take more than the announcement of a 59-storey office building to herald its arrival.
There needs to be some imagination associated with it. Even Edmonton, the frigid capital city three hours north, is forging ahead with a new art gallery whose design is on par with what's happening in bigger urban centres on the continent.
Earlier this year, as part of the Alberta College of Art and Design's Stirring Culture lecture series, Charles Landry criticized Calgary's architecture for being closed and uninviting -- too much reflective glass and steel and not enough open and inviting spaces that pull pedestrians off the street.
Mr. Landry, who runs a cultural planning consulting practice in Europe called Comedia, said the city's downtown towers effectively ignore the stated planning principles of people first, sustainability and green spaces.
Martin Cohos, the retired founder of the architectural firm Cohos Evamy, takes Mr. Landry's comments one step further.
Calling the EnCana building "a marquee piece of sculpture in the sky," Mr. Cohos says the key is whether the curved building (whose architecture from one vantage is all too reminiscent of Toronto's 41-year-old city hall) succeeds in changing the space around it.
"How does this building approach the ground and accept citizens? How do they relate to it? Does it have a 9-to-5 life, or are there things that go on after office hours to keep people around?" Mr. Cohos asks.
He's got a point.
People are drawn to cities possessing an urban vibrancy created by integrating livable and living spaces within the business context.
Take Berlin as an example. Because it's been largely rebuilt in the postwar era, it's young, just like Calgary. But take a walk in Berlin, and it's a visual feast both in terms of the buildings and the life on the sidewalks. Transportation -- whether on foot, subway, streetcar or taxi -- is integrated and the public spaces flow around the urban structures, giving rise to activity beyond the office clock.
Mr. Cohos calls it a "touchable" city.
Calgary is a long way from earning that description.
A big part of the reason is the 16-km-long Plus-15 maze that connects buildings throughout the downtown core 15 feet above ground.
These glass corridors (which are now mandated by the city within certain limits of the downtown area) are a blessing during cold winter days but have had the effect of stripping the street life by bringing it up to the second floor.
It's warm, but lifeless.
Even now, as 4.5 million square feet of new space is under construction, there isn't much to inspire or take in; just more of the same steel and reflective glass.
The good news is that the EnCana complex has the potential to act as a catalyst in terms of taking Calgary's urban evolution in a new direction so that it starts to become something beyond a cluster of towers. In addition to the big tower, two adjacent buildings are included in the development for use as space for arts and culture organizations.
This notion of "cultural adjacency" has been championed by the CEO of Calgary's Glenbow Museum, Michael Robinson, for quite some time.
Mr. Robinson says that if it's done right, the combination of a cultural component with a high-end retail in an office complex not only increases the number of hours the space is used but enhances the overall value of the asset.
Mr. Robinson also notes that Calgary is very good at attracting people from across the country because of the economic climate, but it's equally critical that the city is interesting enough for them to stay after retiring. And enhancing the cultural and urban life is a critical part of achieving this goal.