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No, I'm sure rdaner means that the Glassy-third-of-a-thimble age of architecture, when we got countless examples of such, is painfully so-last-millennium now.

OK, sarcasm aside, how can a machined, glassy thing like that, especially in a distance/night shot where you can't see any of the aging of the concrete podium, be dated? I say it is just long familiar now, which isn't the same thing.

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The star of that picture is RTH, as far as I'm concerned. The park looks gorgeous in that context too.
 
Nov 3

4076297681_920851a58e_b.jpg


4077057242_39a209be06_b.jpg
 
Looks like Fairmont/Raffles is moving into the RBC building, taking up 3 floors.


Application: Building Additions/Alterations Status: Permit Issued

Location: 155 WELLINGTON ST W
TORONTO ON

Ward 20: Trinity-Spadina

Application#: 09 157128 BLD 00 BA Issued Date: Sep 8, 2009

Project: Office Interior Alterations

Description: Interior office renovations to entire floors 32, 33, 34 for tenant "FAIRMONT RAFFLES HOTELS INTERNATIONAL". This proposal inlcudes HVAC and plumbing.
 
I remember that was brought up before, and everyone wasn't sure if it was the Fairmont Raffles hotels company or not. Guess that settles that then.
 
I remember that was brought up before, and everyone wasn't sure if it was the Fairmont Raffles hotels company or not. Guess that settles that then.

Well, that discussion started with post 1581 on page 106... but not everyone was unsure: it was clear to many that these would be offices.

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400.jpg


DAN O’REILLY
Cadillac Fairview's Greg Andrushko demonstrates the RBC Centre’s controlled lighting and shelf system.


Computer-controlled lighting system helps RBC Centre achieve LEED Gold
DAN O’REILLY
corrrespondent


Not only is it a new sophisticated landmark in the downtown Toronto skyline, the newly opened RBC Centre is the first Triple-A building over one million square feet in Canada to achieve LEED Gold NC.

Just one of its long line of environmental features is the first ever use in Canada of a leading-edge computer controlled lighting and shelf system that minimizes the impact of natural light, reflected light and shade.

Located immediately south of Roy Thomson Hall, the $420-million, 1.2-million-square-foot tower was designed by New York City-based Kohn Pedersen Fox Associates with locally based B+H Architects acting as architect of record and contract administrator.

The building includes a podium with ten 48,000-square-foot floors. The remaining floors are 25,000 square feet apiece. Anchor tenants Royal Bank of Canada and RBC Dexia occupy the first 24 floors.

It was built over a three-year period from 2006 to 2009 by construction manager PCL Constructors which achieved 99-per-cent construction waste diversion. Partially opened in June, the building was fully completed by the end of August, a month ahead of schedule.

Planning for the project began about 2005, long before the current economic situation and at a time when few office towers were being erected in the city, says Wayne Barwise, senior vice-president of office development for Cadillac Fairview, the developer, owner and manager.

“There hadn’t been a new building in Toronto for about 17 years. But we had to secure a major tenant to make it feasible,†says Barwise, in a brief summary of the negotiations which led to obtaining the Royal Bank as that tenant.

A major condition of the bank was that environmental sustainability be an integral component in the design and construction, he points out.

“We were very conservative (at the outset) in our estimating and points and allowed ourselves some wiggle room,†says Barwise on the original intent to achieve LEED Silver.

As construction progressed, however, it was decided that upgrading to LEED Gold was a very feasible and realistic option, he explains.

A key factor in obtaining that rating is a controlled lighting and shelf system operated by an onsite computer using a German-designed software package.

“This is very new technology and the first time it’s been used in Canada,†says Cadillac Fairview project management director Greg Andrushko, explaining the company decided to use the system after considerable research.

Two rooftop sensors measure the amount of sunlight falling on the building. Using that data, the software takes into account the sunlight, plus the reflected light and shade from neighbouring buildings. It then uses that information to open or close motorized window blinds and 30-inch-wide polycarbonate light shelves above the floor-to-ceiling windows.

If light or glare coming through the windows is too harsh, the computer activates the automatic roller blinds to protect workers. It’s a very site-specific system in that east and south facing window blinds will be operational in the morning and early afternoon. Later in the day as the sun swings overhead, the reverse happens. The blinds on the south and east windows will shut and the ones on west and north-facing windows will open, he explains.

Working in harmony with the blinds, the light shelves reflect light deep into the interior of the floor by bouncing it off the finely finished concrete ceilings.

“We can plug in newly constructed buildings if needed,†says Andrushko, explaining the software has been designed to take into the account Toronto’s ever changing skyline.

While some minor adjustments can be made by Cadillac Fairview’s operational staff, major engineering and program changes have to be programmed in by the German software developer. Those upgrades can then be downloaded at the RBC Centre.

“It’s a dynamic system and we are making adjustments to suit our client’s needs.â€

But it’s not the only feature designed to enhance workers’ comfort.

On each floor there are literally scores of manually operated diffusers which can be opened or shut by employees at their workstations to take advantage of the conditioned air circulating below the 18-inch-raised floors. Wiring, power and data lines are also carried through the access floors.

As the diffusers are built into moveable tiles, the floor space can be easily reconfigured to suit changing tenants needs, says Andrushko.

The tower uses Enwave’s deep lake water cooling and steam heating systems which reduces energy costs and consumption. Other environmental features include a large cistern system for recycling water for irrigation and washroom use and operable windows on the podium floors.

Source
 
mr. hume reports (with a rave review): http://www.thestar.com/news/gta/article/725039--hume-the-welcome-return-of-the-office-tower

Hume: The (welcome) return of the office tower

By Christopher Hume
Urban Issues, Architecture
Published On Sat Nov 14 2009

The corporate skyscraper is back: RBC Centre’s new office tower at Wellington and Simcoe is exceptional, writes Christopher Hume. (Nov. 10, 2009)

There's nothing unusual about the appearance of a new tower in Toronto, but a new office tower is something different. After a break of almost a decade, the corporate skyscraper is back.

Suddenly it seems the slick facades of highrise corporatism are everywhere. Just weeks ago it was the opening of the Bay-Adelaide Centre, a tall glass box wrapped around the remnants of an office block from an earlier era.

Now it's the RBC Centre. Occupying the southwest corner of Wellington and Simcoe Sts., this huge project includes a hotel and condo component, as well as an office tower. The latter, which also opened recently, faces onto the intersection. Though the Residence at Ritz-Carlton remains under construction directly to the west, the corporate piece is complete.

Designed by Kohn Pedersen Fox of New York with Bregman and Hamann of Toronto, this is a complex of rare elegance. It also happens to be a thoroughly urban addition to the streetscape and the skyline, one of those exceptional developments that work both as a landmark and a place to be.

From a distance, the tower is all transparency, a glass-clad lantern. The architects have avoided the threat of post-traumatic tower disorder by subtly manipulating the façades. They become a series of planes that behave independently of the expected geometry of the building. A few metres above grade, for example, the east façade starts the slant inward. As it rises the full height of the tower, 43 storeys, that same front emerges as a separate architectural element in its own right.

The surprisingly modest entrance leads to one of the most striking lobbies this city has ever seen. Minimal to the point of sparseness, the space is divided by a row of large bulkheads that divide banks of elevators. The furniture, a pair of black stone benches and a matching security desk, is so cool it squeaks. The space achieves a kind of perfection.

Outside, the block-long development brings a new level of activity and life to long-suffering Wellington. Keep in mind that west of Simcoe, it is a street of loading docks, back doors and garage entrances, all necessary, but hardly the stuff of great urban moments.

That didn't stop the designers from engaging Wellington directly. The most dramatic feature is a 10-storey podium, glass and steel, that comes out to the sidewalk. Though unfinished, the street-level element of the hotel/condo next door is already attracting attention. Above, an enormous cornice, about five or six storeys high, reaches out from the building, a gesture as protective as it is eye-catching.

Not so long ago, a bank tower such as this would have been inconceivable anywhere west of University Ave., especially on Wellington. There are other big structures in the neighbourhood – the CBC Broadcast Centre to the west and Metro Hall to the north – but no one would have expected to find them in the Financial District. Historically, that's where a project such as RBC would have gone.

It says much about the growing maturity of our city that bankers are now comfortable building on land outside their traditional Valhalla at King and Bay. And nobody could argue a tower of such quality isn't infinitely preferable to the parking lot it replaced.

The third new highrise is the Telus Tower on Bremner Blvd. at York St. Again, it's on the wrong side of the tracks, but on a site that makes a lot of sense.

For a community awash in residential construction, the advent of three distinctly nondomestic towers reminds us that the city is more than just a place to live and play. The condo-ization of every neighbourhood in Toronto, including the Financial District itself, comes at a cost, namely that of diversity. Though it's unlikely anyone will thank the Royal Bank, we should be happy it decided to stay downtown. In recent decades, financial institutions have been quietly heading for the asphalt hills of Mississauga.

The fact that that has started to change says something important about where Toronto's going. Even before Richard Florida and the Gospel of the Creative Class came along, it was clear that cities represented the future.

The fact that the RBC was also designed to meet LEED green building Gold certification – meaningless in a suburban setting – also speaks volumes about the goals of contemporary corporate architecture. Informed by the need for urbanity, the KPF scheme represents a genuine act of city-building, not just another tower.

And so one more gap in the urban fabric has been filled, a tear repaired. Though Toronto remains a work in progress, the RBC Centre brings it one step closer to completion. Other buildings will have to go so that work can continue, but this new complex is a keeper. It deserves to stay.
 
Funny how he doesn't really refer to the LED aspect--which, to casual folk, might make the building, much as the weather beacon "makes" Canada Life...
 
Found this last night on my way to the disco: Good to know the presence is in Madrid too:)

rbdexia.jpg
 
Funny how he doesn't really refer to the LED aspect--which, to casual folk, might make the building, much as the weather beacon "makes" Canada Life...

i agree that the lighting component of RBC is substantial, but it is not "architectural," necessarily. hume is afterall, a critic of that particular subject. i suggest that lighting is more ornamental and decorative in this instance.

as far as the canada life building goes, what "makes it" is not the lighting. what "makes it" is the stunning design.
 

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