pud99
Senior Member
http://www.classical.net/music/comp.lst/acc/levant.php
[extract]
... He was, after all, the beneficiary of a powerful education in classical music and piano technique. He studied composition with Arnold Schoenberg and piano with Zygmunt Stojowski. At the height of his career, he performed under the batons of Toscanini, Beecham, Mitropoulos, Reiner, Monteux, and Ormandy.
It doesn't help matters that he would not take seriously – at least in the words he used to describe it – his own concert music. Over a decade, he did write string quartets, a woodwind trio, a sinfonietta, and a piano concerto of genuine art and complexity.
[extract]
... He was, after all, the beneficiary of a powerful education in classical music and piano technique. He studied composition with Arnold Schoenberg and piano with Zygmunt Stojowski. At the height of his career, he performed under the batons of Toscanini, Beecham, Mitropoulos, Reiner, Monteux, and Ormandy.
It doesn't help matters that he would not take seriously – at least in the words he used to describe it – his own concert music. Over a decade, he did write string quartets, a woodwind trio, a sinfonietta, and a piano concerto of genuine art and complexity.
"This concerto is fourteen minutes long, mostly in fast tempo, relieved with an all-too short slow section. Composed in the late Thirties, this music reflects an arrogance and a pretentiousness based on an economic and emotional insecurity. However, those are days we now look back on as happy."
Oscar Levant